Intelligence Is Not “Fixed”

Larry Ferlazzo’s Websites of the Day… - The Best Articles On The New Study Showing That Intelligence Is Not “Fixed”:


One of my core beliefs in education is that Potential is not fixed - that students can alter what they can achieve based on hard work and new opportunities. This collection of articles is the best evidence I have come across to back this view. Thanks Larry!

The best bets for improving achievement? | My CPD Week

The best bets for improving achievement? | My CPD Week:

A blog from my other place.

Teachers get a 'shout-out'

Followers of my tweets over the past few years and readers of my various blogs will probably be aware that I am a huge fan of Barack Obama's abilities. He has had a tough time, but regardless of the situation his strength in oratory shines through.

This is a link to the text of his speech (or prepared remarks at least) that he will give as a 'back-to-school' speech aimed at students across the US. Firstly, what a good idea - I believe the president does it every year, secondly I bet it sounds better from Obama that it did from old GWB.

The whole thing is worth reading and if I can locate a video I'll post tomorrow, but below is my favourite bit. It is basically a big 'shout-out' to teachers - now wouldn't it be nice if our PM or Ed Sec said something similar (fat chance!)

“Now, teachers are the men and women who might be working harder than anybody. Whether you go to a big school or a small one, whether you attend a public, private, or charter school – your teachers are giving up their weekends and waking up at dawn. They’re cramming their days full of classes and extra-curriculars. Then they’re going home, eating some dinner, and staying up past midnight to grade your papers.

And they don’t do it for a fancy office or a big salary. They do it for you. They live for those moments when something clicks, when you amaze them with your intellect and they see the kind of person you can become. They know that you’ll be the citizens and leaders who take us into tomorrow. They know that you’re the future.”

Al Gore: clear proof that climate change causes extreme weather

Al Gore: clear proof that climate change causes extreme weather | Environment | The Guardian:

I don't know about you, but with the global economy causing a bit of bother recently, climate change has been out of the news. Good to see Al Gore still doing an excellent job of helping us all remember that we can fix all the debt/banking/economy problems we like, but if we forget about climate change people are going to die as a result.

Who set off the fire alarm?: dice of truth

A fascinating method of getting the truth out of people (students) who don't want to 'grass'? Marbury: dice of truth:

'via Blog this'

This is disgraceful

Generally speaking I believe that different countries should be allowed to exist with their own laws etc without the west imposing its own value/law/political systems, but sometimes I am reminded why that view is too simplistic. There are the obvious exceptions, Rwanda, Somalia, Darfur etc, but the report below shows a disgraceful side to a country we 'support'

Saudi women to stand trial for driving | World news | The Guardian:

I have no idea what can be done, but surely some persuasion is in order.

'via Blog this'

Terrible conditions - amazing spirit!

Terrible conditions - amazing spirit! Living off the landfill: Indonesia's resident scavengers | World news | The Guardian:

'via Blog this'

Artistic Leadership?

Reflection is never a bad thing. I often criticise myself for being lazy, indecisive, not following through on projects etc (the list is almost endless!), but most of all I have a problem with myself when I am not original or have not at least researched a wide range of possibilities to then decide upon.

Idealistically I want to be an ‘artistic’ leader. An artist, a designer, an innovator, a creator. I want to lead something that is beautiful to the mind of the user. I suppose I tend to be inspired by the likes of Steve Jobs. The extract below is taken from a piece by his former boss/partner via the outstanding Marbury blog.

I remember going into Steve’s house and he had almost no furniture in it. He just had a picture of Einstein, whom he admired greatly, and he had a Tiffany lamp and a chair and a bed. He just didn’t believe in having lots of things around but he was incredibly careful in what he selected. The same thing was true with Apple. Here’s someone who starts with the user experience, who believes that industrial design shouldn’t be compared to what other people were doing with technology products but it should be compared to people were doing with jewellery...

...Sony should have had the iPod but they didn’t — it was Apple. The iPod is a perfect example of Steve’s methodology of starting with the user and looking at the entire end-to-end system. It was always an end-to-end system with Steve. He was not a designer but a great systems thinker. That is something you don’t see with other companies. They tend to focus on their piece and outsource everything else. If you look at the state of the iPod, the supply chain going all the way over to iPod city in China – it is as sophisticated as the design of the product itself. The same standards of perfection are just as challenging for the supply chain as they are for the user design. It is an entirely different way of looking at things...

...What Steve’s brilliance is, is his ability to see something and then understand it and then figure out how to put into the context of his design methodology — everything is design. An anecdotal story, a friend of mine was at meetings at Apple and Microsoft on the same day and this was in the last year, so this was recently. He went into the Apple meeting (he’s a vendor for Apple) and when he went into the meeting at Apple as soon as the designers walked in the room, everyone stopped talking because the designers are the most respected people in the organization. Everyone knows the designers speak for Steve because they have direct reporting to him. It is only at Apple where design reports directly to the CEO.

...Apple is not really a technology company. Apple is really a design company...that’s what makes it different. Look at the stores, at the stairs in the stores. They are made of some special glass that had to be fabricated. And that’s so typical of the way he thinks. Everyone around him knows he beats to a different drummer. He sets standards that are entirely different than any other CEO would set. He’s a minimalist and he is constantly reducing things to their simplest level. It’s not simplistic. It’s simplified. Steve is a systems designer. He simplifies complexity.

As Ian Leslie (the blog author) says,

Most of the world is split into engineers and artists. Artists create or appreciate beautiful things. Engineers make things work. Jobs combined both sensibilities - he saw the whole of the moon.

This of course is what Eric Schmidt, chairman of Google said in condemning the British education system recently in the annual MacTaggart lecture in Edinburgh.

Marbury then links to this speech by Jobs, from which my favourite quote is,

Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

How do you do this? How do you marry openness to change and creativity with perfectionist tendencies about standards? The answer seems to be that you design the system and allow the people (the right people) within that system to flourish and succeed. Personally I know I need to develop my artist’s tools and palette of choices. What choices do I make in each given situation? Is it a shade of research, a hint of emotional intelligence, a tint of decisiveness etc? Or is great leadership a blend of all these ‘colour’ choices. What about my tools? Do I have the right canvas? Is it big enough? Is it reciprocal to my choice of paints? Should I be bold and apply strong choices with my palette knife or be more subtle with washes of watercolour?

In the end what I will always aim to do is create the perfect artist’s studio. It will be one with light to offer freedom, ambiance to deliver ethos, materials to give choice and a view to show vision. This way others have the best chance of creating their own picture.

"I like that picture Daddy!"

This is my first post on this platform for a while, but this morning my 5 year old son uttered the words, "I like that picture Daddy!" Nothing strange in that, he loves drawing, painting and generally being creative, but I happened to be looking at Pablo Picasso's 'Mediterranean Landscape'. This piece is not an obvious one to appeal to kids, and it got me thinking what his reaction would be to different styles of painting (and gave me an excuse to spend time looking and talking about art!)

Pablo Picasso's 'Mediterranean Landscape' (see above)


Son: I like the colours, funny walls and that it's sunny.
Dad: I like the light, haphazard nature of cramped building near the coast and the lazy, relaxed atmosphere it suggests.

Trisha Lamoreaux's 'New York Traffic'

Son: Its so busy. I like the yellow cars. Why are the buildings so big?
Dad: I like the intensity of it. It feels busy, out of control and full of life. The taxis dominate the scene, but it is the amount of people squashed onto the pavement that gives it the edge.

Holbein's 'The ambassadors'

Son: What are they doing? I like the funny guitar. They look bored.
Dad: I know the symbolic nature of the work, but it is the farcical nature of them supposedly posing with so much 'stuff' that is interesting. I also like the expressions and the extravagance of the cloak.

Winslow Homer's 'Inside the bar: Cullercoats'

Son: It looks cold and windy. She hasn't even got a coat on (does a little shiver).
Dad: This is local for us and I like the history it evokes of where we live, the strength of the women and the dangerous nature of life and work in the past.

Mondrian's 'Composition in white, blue, yellow and C'

Son: I like that one. It has nice colours and lines. Why did he not colour in the rest of the boxes?
Dad: Not sure why this is my favourite of his compositions. I guess each one must appeal differently to every individual. I like the squeezed nature of the lines on the right and that they don't need colour to make them interesting.

LS Lowry's 'Going to the match'

Son: That's the one on the wall. Are they going to watch my team? Even the doggy is going!
Dad: As a Bolton Wanderers fan I love this. It reminds me of going to Burnden Park as a teenager. You can even see the Burnden Terrace where I used to stand (a few years after the painting!). It also conveys everyone's urgency to get there, with the leaning forward walking style and people coming from all directions.

Monet's 'Sunset in Venice'

Son: Is it on fire? Is it smoke or just misty?
Dad: It creates an atmosphere that is evocative and adds to the image of Venice of romance and mystery. The colours are wonderful and it almost feels like it is from another world.

I feel a regular Sunday morning activity coming on...